I have been a bit slack with live reviews this year, and this is something that I will endeavour to change in 2012. However I did want to share with you the best gigs that I have been to this year and considering none of my top 5 are from Reading festival, it is safe to say I have seen some great live acts this year. 5. The Blackout – Roundhouse Camden, November - This was a great night, the support was in the form of We Are The Ocean who were a great opening act to have as they have a large following themselves. The Roundhouse is a great venue, one of the best in Camden (and there are a few to choose from). The Blackout were on top form as usual, and I was glad to get to see most of 'Hope' live. They even played 'Higher and Higher' twice, why you say? No-one knows... 4. All Time Low – o2 Academy Brixton, March - This was a really good gig because of all the bands on show, the first act were Young Guns, followed by the rejuvenated Yellowcard who really do have some great songs. The main event were All Time Low, one of my favourite bands. Sometimes you can have acts that speak to much and aren't funny, or ones that don't speak enough to the crowd. All Time Low get it spot on, and the music is fun to dance around/sing along too! 3. The Streets – o2 Academy Brixton, March. - March was clearly a good month for music. This was a great night, I was so happy to get to see The Streets on their last ever headline tour. I won't say too much as you can check out the full review here; http://www.iknowasong.com/9/post/2011/03/there-will-be-no-sequel-to-this-evening.htmlWhat I will say is that it was one of the most emotional gigs I have ever been to. 2. Young Guns – HMV Forum, September - You would think that a complete power failure, so therefore no expensive light show, would effectively ruin a gig. However, even though they had to play the whole show in the relative dark with only a few spotlights illuminating the stage, it was epic. There was no lack of enthusiasm on stage, and the band vocally and musically were on the money. 1. Foo Fighters – Milton Keynes Bowl, July - Well, I don't even know how to start describing this. Imagine Biffy Clyro opening, with their insanely awesome live show. Followed by two and a half hours of Dave Grohl, essentially the entire Foo Fighters greatest hits, most of the new album and a cameo from Alice Cooper. I don't actually think live music gets a lot better. Not just the best gig of the year, but one of the best I have ever been to.
We would love to hear about some of the acts you hacve seen this year. Or who you are seeing in 2012.
Vizzle.
Greetings ladies and gentlemen, I welcome you to a live review for the first time in quite a while. This is not because I haven’t been going to gigs, but I have been without the correct equipment (a laptop) to retell such tales of excitement and fun.
Let me start by saying, £9.20 for two pints of Tuborg is daylight
(well actually it was night time… and in doors…) robbery, Cameron’s Britain!
I can assure you that I did not let this dampen my spirits, even though the drink prices are obscene, there is no getting away from the fact that the Brixton academy is one of the best venues in the country, and I hope it continues to host great music for as long as I can drag my corpse along to shows.
You may be thinking, Example… this is not the kind of act that would usually be covered by yours truly. And if you are thinking this, which I’m sure you’re not, you would be correct. This kind of mainstream radio 1 shite is usually what I detest, however I do have a soft spot for Example. It may be down to his very witty banter on Twitter, but it may also be down to the fact that I really like his music. If you want to be cheered up, he’s your man in my
opinion.
So back to the big night, the support acts, well… let’s just say I wasn’t over awed by them. To be honest I couldn’t even tell you their names. There was the first act which was questionable dubstep with a female singer (I
use the term singer lightly) and a load of guys with Mac’s. Is that really
music? We do live in a digital age…
They were followed by a band with actual instruments; again I could give or take them. It was listenable, but I wasn’t jumping from the rooftops, in fact I was at the bar.
You could tell from the giant ‘e’ above the stage that the light show was going to be pretty insane, and when Elliot ‘Example’ Glieve, finally made his way to the stage I can assure you that it well and truly kicked off.
The first half of the set was dominated by album songs, so if you were only there for the singles, you would have been like what? Or more than likely you were on some kind of drug raving like a loon down the front with no recollection of any songs when you woke up the next morning.
At the halfway point, Example actually said, ‘from here out no more shit songs, only the good ones now’ which duly got a few laughs. Then it was as promised hit after hit. ‘watch the sun come up’, ‘kickstart’ ‘midnight run’ ‘stay awake’ and the set ended with ‘changed the way you kissed me’.
All in all the night was thoroughly enjoyable, Example has really good chemistry with the audience, and manages to keep you going for the whole
hour and twenty minutes ish that he is on.
If you are a fan of his music I would say that he is a must live. I think that the endless touring of festivals has really perfected his live show, and I’m intrigued to see how his arena tour goes next year.
Cheers
Vizzle.
The Streets @ The o2 Academy Brixton. Saturday 5th March. 2011.
This circle pit has potential...
The last ever Streets gig at Brixton, and their last ever in London, on what was an emotional night for Mike Skinner and the thousands who crammed into the Brixton Academy. The fact that this gig comes during the last UK tour for one of the most unique and influential bands of our generation was always going to be moving. However, do not get me wrong, this was also a night which was uplifting and enthrawling, a night that I honestly didn't want to end.
The set had a mixture of old and new as one would expect, and in similar fashion to when I last saw them in 2008, they only played one song from their third album 'The Hardest Way To Make An Easy Living' and that was 'Never Went To Church'. This song is dedicated to Mike Skinner's late father, and after the performance, which must have come about half way through the set, the overwhelming emotion of the lyrics and the occassion got the better of him briefly. This shows how real his lyrics are, and this reality which is depicted through The Streets material is what sets them apart from any other act in the world.
Skinner's interaction with the crowd was amazing, he put his faith in the people of Brixton as he crowd surfed out and then back to the front, later admitting that he 'didn't mean to kick a lad in the face, but he was holding on to his shoe!' The night wouldn't have been the same without the token 'get low' and 'can you hear me? can you see me?' as the whole crowd crouch down before jumping towards the ceiling as the beat breaks back in. It did take a few shouts of 'don't be a hero' from Mr Skinner to someone trying to stay upright, but the capacity crowd eventually obliged!
So the evening had the classics such as 'Dry Your Eyes' 'Blinded By The Lights' 'Weak Become Heroes' 'Lets Push Things Forward' and encored with 'Fit But You Know It'. It had the lyrically engaging but more melow tunes from the fourth album 'Everything is borrowed' which simply uplift and inspire. And due to the recent release of 'Computers and Blues' we had a range of material from this record. Mike was joined on stage by Robert Harvey of the band The Music who guest vocals on a few tracks such as the current single 'Going Through Hell'. As well as Laura Vane who is another guest vocal on the record, they combined to sing what is now my favourite song from the album 'OMG'. It has got such a euphoric garage sound that you couldn't help but move to it.
It annoys me when people say that The Streets haven't done anything good since 'A Grand Don't Come For Free' but I think these are people who haven't listened to the following three albums, all of which have different styles and sounds, and personally I don't think they should be overlooked. I really believe that The Streets couldn't have gone out on a better note, with an incredible live performance, full of emotion, excitement and the faintest smell of marijuana...
All in all this was an amazing night, shared with great friends and a genius on stage, you can't ask for better than that... apart from maybe a Streets reunion tour in ten years time...
- Vizzle.
If you still want to see The Streets, they are headlining Loung On The Farm, a festival in Canterbury, Kent - 8/9/10 July. I will most likely be there for the night Mike is on stage!
Below check out one of my favourite songs from The Streets, and one they played last Saturday. 'The Escapist'.
I can only blame the terrible weather and Morrison’s for the lateness of this review, however here it is…
What a day, and what a night. Travelling to and from London in the snow was an experience, and after six hours of train delays and waiting in the cold for buses you might ask was it really worth it? And thankfully the answer was yes!
We unfortunately arrived late to see the first warm up band Funeral Party but we were in time for the unmistakable Enter Shikari. Now here is a band that I simply adore and an act that never disappoint live. I was actually pleasantly surprised by their set as they rocked out classics like ‘Mothership’ and ‘Sorry Your Not A Winner’, as well as the new single ‘Destabilize’ (which you can see reviewed in the rock section of the website). They also played a remix of the massive hit ‘Juggernauts’, where they had a very heavy and extremely bass fuelled section of pure dub step through the middle. Which I'm sure Tree Boy would have enjoyed greatly!
It was a very aggressive set which I'm sure warmed up a lot of the crowd, but it also felt like there were a lot of people at the o2 who weren't feeling the hardcore in your face sound being forced upon them! I think the band realised that not all of the audience for these 30 Seconds To Mars gigs are going to be Shikari fans so they slowed it down a bit for an acoustic version of ‘Gap In The Fence’ which went down really well!
All in all they were great live, which has been a recurring theme for the 3 other times that I have seen them and for a band that seem to be always on the road they put so much into their live shows that you simply have to applaud them!
So, the main event arrives. Now I saw 30 Seconds To Mars back in February, so I had an idea of the vibe they were going to bring as this gig was still part of the ‘Into The Wild’ tour. I was therefore expecting Jared Leto to pop up all over the o2 arena, and I can confirm this was the case. Before the band arrived on stage the audience were shown the new video for the single ‘Hurricane’ in its entirety and what can I say, as much as I love the band it’s pretentious as ever! I will post video at the bottom to see if anyone else can work it out?
Back to the gig, so what usually happens at one of these live events, the crowd watches the band who perform up on stage right? Well that’s what we expected as the music began and the curtain fell, only to hear screams from behind as Jared Leto was in the technical box in the middle of the arena floor. What a place to start a gig, he played for a bit in the technical box before then appearing on stage. He really does want the whole crowd to be able to get close and enjoy, so not only the people who have barged their way to the front get to!
The set was flawless; the entire latest album ‘This Is War’ was played, as well as the classics, which included ‘A Beautiful Lie’ followed by ‘Attack’ which really got the crowd going. It is such a feel good gig when you see this band, smiles and joy all around nobody being an idiot just people enjoying good music! A nice touch that I enjoyed was the dropping of these giant balloon balls filled with confetti that burst as the crowd hurled them around! Maybe it’s just the simple things that please me but it’s such a good way to get the audience involved!
Towards the end of the set Jared Leto again appeared in the technical box so the crowd turned and almost charged backwards to get close to him. He then played an acoustic version of ‘From Yesterday’ and then a cover of ‘Bad Romance’ by Lady Gaga, which was pretty awesome! He then made his way through the crowd back onto the stage, not quite sure how he got through all the fans without getting mauled by the screaming girls… and that was just me… The gig concluded with ‘Kings And Queens’ where the band invited a large amount of the crowd on stage which is such a cool thing to do. So all in all, a freezing cold miserable night in England, but inside the o2 it was an incredible evening!
- Vizzler.
(The photo at the top was taken by the fair hands of Kevin Allen. And below, 'Hurricane' by 30 Seconds To Mars)
Well I can safely say that I haven’t been that sweaty at a gig for a long time. I thought I was getting too old for the whole crush/mosh/absolute shirtless wet men pushing each other around… However it was hard to not get involved (minus the nakedness) due to the small capacity of Sub 89, it really makes for an intimate gig. I don’t think the venue can hold more than 300 – 400 people, so for a band as big as Funeral For A Friend I was left feeling lucky to get so up close to them, however I kind of wondered how they have ended up playing such a small gig.
This was their first gig for a few months, and also their first gig with new bass player Richard Boucher. There has been a lot of movement within the band such as the large amount of different members, which makes you wonder if that may have had an affect on the act. One could also suggest that they peaked too early with the amazing debut album ‘Casually dressed and deep in conversation’, but after hearing some of their new material I believe that they are coming roaring back, even though some people (me included) don’t believe that they ever hit a slump.
Anyways, back to the gig itself, starting with the support acts who came in the form of upcoming welsh act ‘Boys with X-ray eyes’ and the London based 5-piece ‘Rise to remain’. Now these are both hardcore bands, so may not be up everybody’s street. ‘Boys with X-ray eyes’ had two singers, however one didn’t really seem to do a lot, he was perhaps just a tagalong, but as a singer he was fairly ineffective. The act as a whole though were full of enthusiasm and aggression but failed to really get the crowd going. I would say though that being the first act on is always difficult if people haven’t heard your music, so if you are into the hardcore scene then they are still worth checking out!
As for ‘Rise to remain’ they really got people involved, and had quite a large following. They were also a lot more polished than the previous band, and the vocals were noticeably a step up. I actually really enjoyed this act, so I will be checking out their latest EP ‘Bridges will Burn’.
So time for the main event, I was really excited to see Funeral For A Friend as I hadn’t seen them live since Reading festival 2008. I can safely say that I was not disappointed at all, they played a fair few new songs which all sounded really good, but at the end of the day when they can churn out tunes such as; Juneau, Escape Artists Never Die, All The Rage, History, Oblivion, Roses For The Dead and Red Is The New Black (and these are just the one I can remember) then it is impossible for the gig to not be a success. Matthew Davies-Kreye is a great front man and really had the crowd going, there were circle pits, sing a longs and some guy who did a pretty amazing back flip in and amongst all of that craziness. In terms of the vocals and the bands performance overall it was spot on.
If you have been out of the loop in terms of Funeral For A Friend, then they recently released an EP The Young And The Defenseless, and will have a new album out in march next year which is currently untitled. But if you are in the mood for a new song of theirs, they just released the video for ‘Serpents of Solitude’ which you can check out below! Enjoy! – Vizzler.
(And yes the picture at the top was taken by me, hence the poor poor quality!)
Brisbane bass lovers are definitely being spoilt at the moment and this weekend really was icing on the cake. We might have had venue changes and technical difficulties but it was all overlooked thanks to some wobble, charisma and even a spot of dubstep beatboxing.
Again, for some reason I tricked myself into thinking that there’d only be a small gathering this weekend but even though I turned up a couple of hours premature I could barely see the DJ booth! The place was already packed, limbs were flailing and everyone was on tiptoes waiting to see Bar 9, or at least Martin, one half of the infamous UK duo whose on his first Australian tour who was up first (sadly Ollie got left at home!).
As the final support act teased us with Bar 9’s ‘shaolin style’ (nero remix) we were told we’d have to switch venues because there were too many people in the upstairs room - it was good call and we only had to traipse downstairs (past the hoard of people outside bulging through the door!) but as we waited a half hour for Sage Francis to finish his hip hop set in the main room before the CDJ’s could get set up, I couldn’t help worrying that momentum was being lost. Cue Brisbane’s ‘MC Kitch’.
Now I’ve only seen a person beatbox dubstep at a Plan B gig, it blew me away then and it didn’t affect me any differently this weekend. The crowd went off, it was mastery and it was the perfect answer to having no music! Understandably after 15 minutes our new favourite beatboxer was struggling for breath which forced our man Martin into his first track before he looked totally comfortable with the set up.
Donning his thick rimmed specs and enviously big dreadlocks Martin gave off the impression that we were going to hear a more dub-tainted set, a belief he then squashed with his opening track... It was filth at its pinnacle. Despite his head shaking at the equipment setbacks his track selection continued to be so impressive that we’d rave to technical faults all night, then just a couple of tracks in he drops the killer Drumsound & Bassline Smith tune ‘Fu Man Chu’ (dubstep remix). My heart dropped for Martin when it looked like his cue might have slipped early without him even touching the deck, you could see it in his mannerisms that he considered walking off there and then but his years of experience paid dividends as he stayed to continue what was the most fixating dubstep set I’ve yet to see. As the gain crept up we had people raving everywhere you looked, even outside the main room around the pool tables. Moving downstairs all seemed worth it now, because without this improved soundsystem I don’t think Bar 9’s set could’ve been handled!
He was smiling now, arms raised, acknowledging the drops that sent us crowdsurfing, skanking and hurling glowsticks. We were shown diversity within the genre with tracks having a dash of everything from trance style vocals, touches of acid house and grime MC’s that remained a crowd favourite all night – by the time Martin drops 12th Planets’ ‘Reasons’ (Doctor P remix) we were putty in his hands and taking full advantage of the situation he smashes us with Subscape’s ‘screw up’. This track blew my mind, with its Notorius B.I.G. sample ‘I grew up a fucking screw up’ and a drop that you’d definitely write home about. It was 1.30am at this point and it was starting to look like the start of the Blade 1 movie, you would’ve sworn blood was going to start dripping from the ceiling all over the rave, Martin had overcome all the nights adversities and slaughtered everything with the Subscape track being the absolute crowning glory of the set, a set which cements Bar 9 in my mind as THEE must see dubstep DJ’s. Check out Bar 9's new track via the video below! Skism certainly had his work cut out following this man, which he no doubt knew having stood next to Martin on stage for the whole set (which I thought showed great respect and camaraderie). Skism has put out some huge tracks in the past (‘the blank’, ‘back off’) and consistently releases filthy good remixes for the likes of Foreign Beggars, Excision & Datsik, the list goes on!
If anything Skism benefited from watching Martin’s set, he knew we were all hanging for a big track and how better to start a set than by having your own VIP mix from Funtcase? “If Skism drops this track I’m gonna get SO VEXED!” When Skism dropped that track my eyes almost fell out of my head.
Crowd interaction was massive again, Skism was having fun, and we were too as Martin watched on in an equally respectful fashion. I might have dreamed this, but I think I remember going crazy to a dubstep version of a Dire Straits classic, I still can’t bring myself to believe it actually happened! As Sksim’s set continued to drop jaws we had our first rewind of the night for Chase & Status’ ‘Eastern Jam’ which sounded even better with the remix that Skism was carrying! It was a personal favourite of mine to hear Chase & Status’ remix of Nneka’s ‘Heartbeat’, I always want to drop to my knees and scream to the skies when I hear it – I get very emotional over that track, especially so when Skism decided to drop Emalkay’s ‘When I look at you’ over it before taking us back into the Nneka track once more.
As Skism’s set drew to a close there was no relenting as Doctor P’s remix of Le sac vs. Pips’ ‘Sick tonight’ is greeted with rapturous stomping, robot chickens, rope miming – you name a dance and I saw it at this point! Bless Skism, he even played a (much deserved) encore track.
As everyone left the stage I was just stood still reeling at what I’d heard. We’d gone from a room change and technical difficulties to two of the most mental main room sets I’d ever been fortunate to hear. Bar 9 and Skism came and set a precedent for dubstep DJ’s to follow; they can depart these shores knowing that their performances assured that whenever they decide to return, there’ll be another packed out main room waiting for them. Tree Boy xox
P.s. A Big shout out goes out to Dub Thugs who again had a hand in presenting the event alongside Adicts and Spacedub.
Here are a few BONUS! tracks for you all... I heard the Nero remix from one of the support dj's and as I love the original I was sure to love this! It's Plan B - The Recluse :) For the Drum 'n' Bass fans the Netsky remix is a beauty. And with Drumsound and Bassline Smith playing this same venue next weekend, it's time to get our d 'n' b heads on!
 | the_recluse_nero_remix.mp3 | | File Size: | 6626 kb | | File Type: | mp3 |
Download File
| the_recluse_netsky_remix.mp3 | | File Size: | 7161 kb | | File Type: | mp3 |
Download File
First things first, what an amazing venue, I have been to gigs in Camden before but never at Koko, and it had a surprisingly intimate feel as it wasn’t as big internally as it seemed from the outside. Daughtry had one support act in the form of four piece rockers ‘The Crave’. They are a band that I was unaware of, but they gave an excellent live performance, which was extremely upbeat and passionate; it most definitely got the crowd in the mood for the headline act.
Their sound is very much strong riffs with catchy choruses. They make it clear on their MySpace page that they are from a time before genres such as ‘emo’, ‘nu-rave’ etc; they are simply a rock n roll band. They have toured with acts such as Status Quo, Buckcherry, and Flyleaf also at various festivals, as well as a full US tour. Not bad really! And if your into bands like Daughtry then ‘The Crave’ will be right up your street, check out the debut album ‘Breaking the Silence’ or live as they are starting a tour of the UK in November. (The band can be found on MySpace, Facebook, Twitter etc).
A lot is to be expected vocally with Daughtry, and for those who do not know the lead singer Chris Daughtry was part of the US reality show American Idol’s fifth season, where he finished in fourth place. He has gone on to become the third most successful American Idol contestant. All of which may make you think that the band are only successful because of the fame he gained from the show, however this band is no joke and the rock songs produced are quality works and their US success speaks for itself.
In terms of the live performance, vocally it was really good, but the energy from the band lacked at points. However, Chris is I guess the person people pay to see and his performance was spot on. Also when you have a reasonably small venue packed out with people singing back every word the atmosphere speaks for itself. The set lasted for about an hour getting through most of the second album ‘Leave This Town’, after which the band returned to the stage for the three song encore in which they played arguably their two most successful songs from their debut self titled album, ‘It’s not over’ and ‘Home’. All in all it was a great gig, and the band played all the songs that everyone wanted to hear, and sometimes you can’t ask for anything more than that! We were also informed that the act will be back in the UK next year, hopefully with a new record and with more than one tour date!
Check out below Daughtry's first ever single, 'It's Not Over'.
Enjoy! - Vizzler.
I can’t remember a time when I had butterflies so badly before I went to see someone DJ - if you’ve read my previous posts you’ll know that I’ve been so excited to see the dubstep producing superstar that is Doctor P, and he was here in Brisbane, Australia yesterday evening.
I’m pretty sure the butterflies were also nerves – I haven’t been in this city for long so I didn’t know what the crowd would be like, or whether there’s even be one as it’s not a city you’d automatically associate with dubstep and on top of that it was a Sunday night. But as soon as we arrived the event organisers (made up of Praxis & Dubthugs personnel) put us at ease straight away, no-one could hide their smiles, we all knew what was coming. The venue was flawless, classy, intimate and far removed from the grotty basement I was expecting. I couldn’t help feeling sorry for the Dj’s on the terrace, Brisbane is in the middle of some record-breaking week long storm, so unfortunately the d’n’b and techno outside was largely for the benefit of the smokers huddled underneath any cover they could find.
We took a seat to start, hovering over the dance floor at eye level with the laser and light systems that must have cost an eye watering amount of money and front and centre sat the raised booth where we braced ourselves for the Doctor who’d stand over us like some dubstep emperor. It struck me straight away that there were quite a few people already raving to the support acts quite a few hours before the Doctor was due but they had every reason to because these supports had the energy and the tracks to get everyone’s wobble on even before the sun had gone down, I didn’t last long my seat it goes without saying. The hour long support sets were well crafted, they brought us unfamiliar tracks (which I’m looking forward to getting to know!) with the occasional anthem dropped in for good measure – the support act catching my eye in particular were the subliminal dubsterz (Praxis/Sub Dub) whom I shall revisit in the coming weeks I’m sure. Amongst the mayhem we heard some of Doorly’s more popular mixes, the UK super act Magnetic Man’s ‘I need Air’ not long afterwards, and a remix of ‘Machete’ that blew my mind – I loved the DJ Hazard track but whatever remix this was gets an instant post when I hunt it down over the coming days! After a spot more magnetic man and even a Borgore track that I faintly recall, we were ready to see the Doctor.
Now, when I go to a DJ set there are certain things I look for, and these differ slightly to the things I expect from a live band, I’ll ignore the absolute fundamentals for the sake of brevity but what I look for that others may not includes firstly; a well thought out track selection. I like the sets to be crafted purposefully, from start to finish it should be an experience, a journey that the DJ takes you on, a feeling or response the DJ can provoke by using all of their musical knowledge and skill. Secondly, there needs to be some sort of performance because Dj’s are artists at the end of the day, they command so much technology and their decks / laptop / serato etc are their instrument. I think we can all agree that we expect to see artists enjoy playing their instrument, and this is the one place I feel Doctor P didn’t deliver last night. I’d love nothing more than to tell you all that he blew my mind, because that’s exactly what I expected but this looked like a man who still hadn’t completely recovered from the jetlag. In his defence, the weather was some of the most miserable weather I’ve experienced, he also tweeted that the New Zealand raves were on another level and he did play a fair amount of dates there fresh off the plane so by the time it came to a dreary Sunday night in Brisbane we can maybe understand the dissatisfaction that just lived on his face the entire night. I’m not saying that every dubstep DJ needs to go crowd surfing or anything like that, but there’s no harm in some acknowledgement that the crowd was there surely? After all, we came from all corners of the City and State on the same miserable Sunday night and packed out a venue for him.
As far as track selection goes the Doctor lived up to the hype and had us yearning for the crowd favourites until late in his set which worked to everyone’s advantage and got the crowd vocal. The whole set was crunching bassline followed by more of the same with absolutely no respite (the sweat that fell off me is testimony to that) and personally after sitting through some great build up acts I was about ready for a bass bashing from the Doctor, which is why I looked like I’d been stood outside in the monsoon by the time his set had finished.
I’m sure that with a few more days rest before his next set that the other Australian cities will be treated to a spectacle more worthy of his excellent productions and his popularity. And of course there are still major positives to take from last night; Brisbane city pulled off a crowd that proves to massive UK artists that the scene is supported here and hopefully we can see those acts come back and play here time and time again. What’s more, the support acts did themselves, the event organisers, and the local dubstep scene proud. With support acts like that it’s always going to be hard for a renowned artist like Doctor P to shine and all things considered (the weather, the travelling etc.) maybe this was just a bad night for me to catch the man who remains one of the best producers the genres has to offer. Tree Boy xox
P.S. Sorry that my plans to start a ‘live gallery’ were scuppered – I couldn’t see for the smoke! But as soon as I hunt some down from the event organisers they’ll be here! And maybe they’ll be better potential for piccies at the Bar9 and Skism sets at Step Inn next weekend :p
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